Object Collaborations
Limited editions made with artists and partners we trust — UV-printed ceramics, laser-engraved keepsakes, small-run textile pieces. Each one a conversation between concept and material, and each one bearing both names.
iii. Studio Space — Crafting
Distinctive, sustainable, and built to the use you actually described — the aesthetics and the function arrive together, or neither of them does.
The next 30 days something on free booked add it to your calendar
The space
A working steel table in the calmest corner of the cellar. Tools at arm's length, light considered, the air still. A surface that doesn't ask the work to be finished before it's begun.
The Studio is small on purpose. Two or three people working at once is the right number — enough collaboration, none of the noise. The table is high, the surface honest. Tests, drafts, false starts and the half-finished pieces between them all live here without apology.
It is not a gallery. There is no audience while you work, no pressure to perform a result before one has emerged. It is also not a fabrication floor — when an idea is ready to scale, it moves next door, into the Fabric Space, where the machines wait for instructions the Studio has already worked out.
What the Studio holds is the middle — the slow, real part between a question and an object. It is where ceramic surface trials become surfaces. Where a memorial keepsake earns its weight before it earns its form. Where a brand's idea of a physical object turns into the first one that actually exists.
Some rooms make things. This one decides what to make.
Every object, the same filter — PEC²: Personal · Environmentally Friendly · Creative · Collaboration.
Three directions, one steel table
The Studio holds three connected but distinct kinds of work. Each has its own audience, its own pace, its own measure of success. The steel table is the same. The restraint is the same. What gets made — and for whom — changes everything.
Limited editions made with artists and partners we trust — UV-printed ceramics, laser-engraved keepsakes, small-run textile pieces. Each one a conversation between concept and material, and each one bearing both names.
Memorial objects, commemorative pieces, considered gifts that hold time — and that someone wants to be holding fifty years from now. From the hand-engraved Insight Token to bespoke legacy work for families, milestones, and quiet anniversaries.
Long-term, considered partnerships for brands whose physical-object portfolio deserves more than a merch table. Designed in the Studio, produced in the Fabric Space, accountable to a single brief and a single relationship — not a marketplace.
Studio → Fabric
The Studio is where the line is found. The Fabric Space — next door — is where the line gets made, by hand and by machine, in single pieces or small series.
This is the relationship that makes the work possible. The Studio is unhurried, conceptual, allowed to fail. The Fabric Space is precise, calibrated, accountable to a brief. Most projects move through both — and the move is what makes the object worth its presence.
How it works
A short, low-commitment first iteration — so the object can be discussed in the hand, not on a slide. Most relationships with the Studio begin this way.
Hover a day to see what is on; click it to see the free slots. Booking itself goes through the planner below — price, terms and payment included.
Price it yourself
Prefer to write? Tell us what you have in mind and we will work it out with you — the calculator is here for when you would rather not ask.
Not a proposal, not a meeting first. Choose how far the first step goes, say when you need it in your hand, and add what belongs alongside it — the total moves with you. Whatever you pay here counts towards the edition if the object goes ahead.
Before you commit
In every package
Charged separately
What you pay, and when
Where it goes next
A piece worth making in company, a method worth showing — propose it. Four questions decide whether it fits.
Bring us one →Before you commit
Tap a question for the answer.
The prices are above, so there is nothing to ask for. If you would rather see the trials and the half-finished pieces first, a visit takes 20–30 minutes.
Send a message
If something is happening today, a message reaches us faster than anything else.
Nothing opened — that app is probably not installed on this machine. — or just write to info@equora.space.
A question before you book is best in writing — info@equora.space. If you would rather call: +36 20 580 3000, Tuesday to Saturday, 10:00–22:00.
Every object passes the same filter: PEC². Four words that decide before the price does — work that fails them does not happen here, however well it pays.